Sunday, September 26, 2010

Ang Filipino-American War ,at ang tugtuging Veteranos De la Revolucion, ang BANDA 88 at ang mga Banda Sa Pilipinas:

Narito ang isang munting video/visual na sanaysay sa ating nakaraan.

"Maraming Salamat sa U.S. Library of Congress sa mga larawan at mga videos na ipinapakita sa movie clips na ito.

Malaya po ang sinumang makakapag-dagdag kaalaman sa bagay na ito at mangyari lang po na ipaalam o ibahagi sa inyong abang-lingkod ang anumang bagay na makakapaglinaw at mahalaga tungkol sa bahagi ng ating kasaysayan. MARAMING SALAMAT AT MABUHAY PO TAYONG LAHAT!


SHORT VERSION




* The backround music "Veteranos de la Revolucion" played by Banda 88 (Musikong Luma) ng Santa Maria, Bulacan. Conducted by Maestro Meinardo ( Memen ) Belarmino. Recorded live around late 70's.


Nais po ng inyong abang-lingkod na alamin kung sino ang tunay na may likha ng overturang "VETERANOS DE LA REVOLUCION!"

FOR A LONGER VERSION FOLLOW THE URL BELOW:





The Filipino-American War 1899-1902

The start of the war- Tensions between the Filipinos and the American soldiers on the islands existed because of the conflicting movements for independence and colonization, aggravated by the feelings of betrayal on the part of Aguinaldo, who had been brought to the islands by the American navy. Hostilities started on February 4, 1899 when an American soldier shot a Filipino soldier who was crossing a bridge into American-occupied territory in San Juan del Monte, an incident historians now consider to be the start of the war. U.S. President William McKinley later told reporters "that the insurgents had attacked Manila" in justifying war on the Philippines. The Battle of Manila (1899) that followed caused two thousand casualties for Filipinos and two hundred and fifty for the Americans.

Tuesday, September 09, 2008

Thursday, July 03, 2008

Drum and Bugle Corps (modern)

HISTORY

Drum and bugle corps stems from a rich American military history, separate from other marching musical activities. Beginning after World War I through the 1970s, corps and competitions were often sponsored by the VFW and the American Legion. Owing to these groups' roots, corps were traditionally militaristic. By the late 1960s, many corps wanted more creative freedom and better financial compensation than was offered by the sponsors. Some felt the prize-money structures, based on competitive placement, were not fairly compensating all corps for their appearances. Additionally, some felt the current judging rules were stifling musical and theatrical possibilities. At the peak of American drum corps participation (with perhaps a thousand active corps nationwide), several corps decided to band together and form their own organizations, which ultimately led to the formation of Drum Corps Associates in 1965 and Drum Corps International in 1972. By this time, many corps had already lost their church or community sponsors. Read more>>>
Drum Corps International : Marching Music's Major League

WATCH: 2008 Countdown Trailer




WATCH MORE VIDEO ARCHIVES HERE from DCI (Drum Corps International)!
Woodlands Ring Military Band


HAPPY BIRTHDAY AMERICA.....HAPPY FOURTH OF JULY!!!








Listen to Ray Charles, 1930-2004: He Created a Sound That Had a Huge Influence on Popular Music. Hear his rendition of "America,The Beautiful"

My Soundclick Page

Tuesday, February 12, 2008

Lubenas is Pampanga's is Precious Cultural Gem
by Robby Tantingco

WAS the Spaniards who brought Christmas to the Philippines, but it was the Americans who taught us how to celebrate it.

The Christmas that the Spaniards brought here was strictly a religious celebration — rituals held inside the church, prayers and songs steeped in biblical and ancient European references — which is why no indigenous Christmas songs came out of the entire 300 years of Spanish colonial rule.

In the early 1900s, however, the Americans secularized Christmas, introducing Santa Claus, Christmas tree, Rudolph the red-nosed reindeer and chestnuts roasting on an open fire. Then and only then did Filipinos embrace Christmas and make it their own.

I think, however, that we Kapampangans embraced and claimed Christmas much earlier than the rest of the Philippines.

The common folk in those early days had a way of sneaking away bits and pieces of church rituals and reinventing them into something that they could claim as their own. That’s what they did with the Bible: because they were never permitted to own one, the common folk memorized the Sunday gospel readings as they heard them, ran home and wrote them down, strung them together and produced the pasyon, which is apocryphal in some parts but what the heck, it served its purpose as the Bible of the masses for 300 years.

Christmas was too joyous an occasion to be limited inside the church and celebrated in just one day, so it was extended to nine days, beginning December 16, and that’s how Filipinos in the Spanish colonial times began the tradition of simbang gabi. I am not sure if we merely acquired it from the Mexicans; my own theory is that it was initiated by the native secular priests, which had an interim hold of the parishes vacated by the religious missionaries (who were ejected from their parishes by a royal decree sometime in the late 1700s).

But we Kapampangans did one more unique thing: we invented the lubenas. (Historian Mariano Henson wrote that by the time the town of Angeles adopted La Naval in 1830, Kapampangans had already been doing the lubenas every year.)

Lubenas came from the word novena, which means nine days, referring to the nine-day simbang gabi. But while the rest of the country was content with attending dawn masses for nine consecutive days, Kapampangans went a step farther by holding a procession on the eve of every simbang gabi, i.e., they had a procession after dinner, which means they slept late, and then woke up before dawn for the simbang gabi (or simbang bengi in Kapampangan).

Waking up early after sleeping late is a double whammy, but that’s exactly what Kapampangans must do as a form of penance in preparation for the birth of Christ — Kapampangans, after all, are known for their excesses and for taking their religion very seriously.

They are also very fond of processions. When the procession takes place on the river, they call it libad; when held on land, it’s called limbun. The lubenas is a form of limbun; the difference is that it’s lit not by hand-held candles but by lanterns mounted on bamboo poles.

Two rows of these lanterns, usually six on each row for a total of 12 (representing the 12 Apostles) precede the andas (shoulder-borne carriage) or carroza (wheeled carriage) bearing the santo. At the head of the procession is a lantern in the shape of a cross, and right behind it is another lantern in the shape of a fish, with movable fins, mouth and tail (fish is the ancient symbol of Christ).

In the early days, there were other animal lanterns, like lamb (representing the Lamb of God), dove (representing the Holy Spirit), and the stable animals of the Nativity. Aside from their religious references, they served as an added attraction, since processions were also a spectacle for the public to watch and enjoy, very much like a parade.

Right behind the carroza is the climax of the lubenas, a giant lantern that served as illumination to the santo on the carroza. (This is actually the origin of the Giant Lantern tradition of San Fernando, but that’s another column).

Trailing this big lantern are the singers, and the song that they sing over and over is Dios te salve (Hail Mary in Spanish), which has at least seven versions, all composed by Kapampangans. In my hometown of Mabalacat, every barangay has its own version of Dios te salve.

The lubenas, unfortunately, is a vanishing tradition. Today, only a few northern towns in the Kapampangan region still hold lubenas in December. These are Mabalacat, Angeles, San Fernando, Mexico, Magalang, Capas and Concepcion.

In Mabalacat and Angeles, organizers have made lubenas a competition to inject adrenalin into the dying practice. The worsening traffic situation has also made lubenas (or any procession for that matter) a risky business, which is why fewer people attend it.

The lubenas is a precious cultural gem, unique to Kapampangans. While cash prizes are a great incentive to revive interest in the lubenas, they are actually cheapening it and reducing it to the level of a lantern contest.

The lubenas, first of all, is the property and therefore responsibility of the parish, not the government or any private organization. The parish priest, through the parish pastoral council, should take the initiative in restoring its potency as a para-liturgical activity that’s meant to bring Catholics back to church, like moths being lured to the light. Barangays can have their respective lubenas, provided they all converge to the parish patio on Christmas eve, like they do in Mabalacat (then it’s called maitinis, or matins, prayers after midnight).

While government and non-government organizations must be commended for their good intentions, the local church should find ways to reclaim and sustain this charming Kapampangan tradition, and reassert its original religious intent and content.
Oaxaca, Mexico (The heart of Mexico)


(The photo below was taken by Alistair Watters. )

For more info: Oaxaca (In the heart of Mexico) Tourist Guide

Tlacochahuaya (Visperas y Maitines)

On his youtube channel site says:

"We are from the place we love!" Promoting Oaxaca's cultural heritage to the world.

Tlacochahuaya was a Dominican Convent with a rich tradition in sacred music, this piece was transcribed by Maestro Donaciano Morales in the late 1800's, Maestro Jose Angeles Martinez has kept this beautiful score and leads his band on this performance at the chorus of this magnificent XVI century church on Sept. 29th 2006.

This is an eigth-part Documentary Video Clips



Layunin: Ang mga artikulo at video dito sana ay makatulong kahit paano sa tunay na pinagmulan ng mga banda sa Pilipinas. May malaking kaugnayan ito sa tunay na pinagmulan ng dakilang kasaysayan ng ating bayan at ang mga banda sa iba't-ibang lugar sa Pilipinas. Lalo na ang orihinal na Musikong Luma ng Santa Maria, Bulacan, Ang Banda 88.

The Manila-Acapulco Galleon Trade



Dapat nating malaman na may 216 taon na ang nakakaraan mula ng itatag ang bayang ito bilang pueblo, ang pueblo ng Sta. Maria de Pandi taong 1792. Higit sa lahat ang mahigit kumulang na 300 taong pagsakop ng Espanya sa Pilipinas. At ang ugnayan ng Manila-Acapulco, Mexico Galleon Trade ng mga panahong nabanggit.
---Maestro Memen Belarmino

Read more info here:

Filipinos of Mexican Descent

Mexicans of Filipino Descent

Battle of Puerto de Cavite

The Manila Galleons along California Coast

Narito ang mga mahahalagang video na maaring makatulong sa pagsasaliksik:(Just Click the Link)

Thursday, February 07, 2008

Paseo and Serenata ng Banda (February 8, 15, 22, 28 & 29 5/6PM) featuring Banda 88

To give prominence to the role of marching bands during Fiestas, a special concert will be held every Friday afternoon at the Quezon City Hall steps. It will feature selected bands from Metro Manila and nearby provinces. Featured marching bands will have a paseo around the academic oval to announce the events of the day. Serenata ng Banda will feature UP Symphonic Band, Quezon City Band, Taguig City Band, Antipolo City Band and Banda 88 "Musikong Luma" of Sta. Maria, Bulacan.

Click the logo website please:

Check the schedule here: "First National Komedya Festival" Download and read for more info.

Philippine Arts Festival 2008 " February is National Arts Months"

Tuesday, January 22, 2008


ANG BANDA 88, "Musikong Luma" at ang mga Kasapi
ng Santa Maria, Bulacan (Isang Bi-Lingual na Sanaysay)

"Ayon sa mga tagpi-tagping k'wento ng mga malapit na kamag-anak at laging tapat (mga panatikong miron) na nagmamahal sa samahan, ang Banda 88 ay itinayo noon pang circa 1888."

Kung magkagayun man, dito marahil kinuha ang katagang "Musikong Luma". Maaring totoo at maaring may kaunting pagkakamali sa tunay na k'wento ng mga pangyayari. Kung kailan talaga itinatag ang kauna-unahan at orihinal na Banda ng Bayan ng Santa. Maria,Bulacan. Ang bagay na ito ay walang sinumang nakakatiyak. Ang makakapag-patibay lamang nito ay ang mga lumang instrumento, lumang tugtugin, mga tagahanga at taga-pakinig na sa tuwina ay nakasunod sa mga "Serenata". Ang mga iba't iba pang bagay at mga gamit sa pagtugtog na tunay na matagal na nga ang samahan ng banda ito. Di mapapa-sinungalingan na isang institusyon ang Banda 88 o "Musikong Luma".

Kung sinuman sakali na magpapatunay sa makababasa nito na makapagpatotoo sa tunay na kasaysayan ng payak na pinagmulan ng unang Banda ng Santa Maria ay mangyari lamang na makipag-ugnayan sa may akda nito.

Sa aking pananaw, hindi ito marahil ang mahalaga. Ang isang bagay na dapat isipin ng bawa't isa ng mga kababayan ko ay ang pagiging kabahagi ng banda 88 sa bawa't kabanata ng buhay ng bawa't mamayang taga Santa Maria.

Mula pa lamang sa pagkasilang, binyag, kumpli-anyo, kaarawan (birthday), graduation, anibersaryo, kampanya sa halalan, pistahan, undas, kapaskuhan (Simbang Gabi),kapistahan, Mahal na Araw (Pabasa ng Pasyon at Prusisyon),Santa Cruzan at Flores de Mayo hanggang sa libing ninuman o anumang kasiyahan o pagtitipon, kabahagi natin ang ating Banda 88.

Kagaya nga ng pag-aanyaya sa Pistang Bayan, gaya ng Pista sa Antipolo at Pista ng Quiapo o ang Pagdiriwang ng Kapistahan ng bawa't malaki at maliliit na purok ("Flores de Mayo"), kadalasan pag may pagkakataon ang Banda 88 ay naa-anyayahan sa pagdiriwang nito.

Bago pa man nauso ang mga Hi-Tech Gadgets (radio,TV, movies,video games,computers, celfon at smartphone, ipod at isama mo na ang pagmo-malling bilang entertainment na sa ngayon ay kinalolokohan nating mga Pinoy, narito na ang Bandang ito upang magbigay ng kasiyahan sa bawa't pagtitipon.

Hanggang sa ngayon pinagsisikapan ng bawa't kasapi na magsaliksik, lumikom ng mga k'wento at mga mahahalagang bagay na makakatulong sa tunay na kasaysayan ng pinagmulan ng Banda 88.

Sa aking karanasan bilang lumaki, naging kasapi at naging Maestro din ng Banda 88 noong dekada '80, narito ang ilang kwento mula sa aking mga kamag-anak, mga lolo at lola namin (de la Vega Sisters), malapit na kaibigan at mga nakakilala, nagmamahal, naniniwala at nagmamahal sa tunay na Sining ng Musika narito ang ilan sa mga paglalahad nila.

Mula sa palagiang kwento sa aming magkapatid na Kuya Jess, Diko Adong, Ako (Maestro Memen, Molly, Delia at Boy(Boy Piccolo) ng aking Lola Edes ( the late Mercedes de la Vega) noong sya ay nabubuhay pa at si ka Mario Inocencio,isang barbero at trumpet player ng Banda 31, ang mga naunang mga nagtaguyod daw ay sina Ingkong Tolo bilang Maestro, si Lolo Pedro (not Pedro"Pulupot"Jose) bilang matikas na Band Major, si Ka Kadyong Itim (Arcadio Jose)bahista, bilang Compositor, Maestro at Conductor din,na nagkaroon ng pagkakataong makapag-aral ng musika sa Sto. Domingo (mga paring Dominicano) at kilalang mahusay na organista sa simbahan at gumawa ng mga ilang "pollo music" at Canta Misa, na hanggang sa ngayon pag may pagkakataon ay tinugtog ng Banda 88 ng walang anumang kaharap na p'yesa, saulado ng bawa't isa ang kanilang mga parte o nota, lalo na ang mga datihan at matatandang kasapi nito. Matiyagang itinituro o ipinamana naman sa mga baguhan sa pamamagitan ng pag-ouido (by ear), kagaya nga ng "Prinsesa Indiana", isang overtura. Na walang sinumang makatiyak kung sino ang tunay na lumikha ng tugtuging ito.

Noong Dekada '70, kapanahunan ng "Martial Law",ang Banda 88 (Musikong Luma)sa pagtuturo at pagkumpas ni Ka Carding Bulilit (Maestro Ricardo Quiambao,kilalang magaling na soloista sa trumpet ng kapanahunan nya. Ang ilan sa likha nya ay ang "Tapis Mo Inday" Theme & Variation for Solo Trumpet at "Tatlong Binata" Theme & Variation for Trio Trumpets), Cecilia-Catherine isa ring martsa ay tunay na aktibo sa tugtugan sa iba't-ibang lugar ng bansa.

Itong dekada rin na ito na sa matiyagang pagtuturo ng aking Tiyo Pepe (Jose Alfonso)na ginaganap sa Paltok, Likod Simbahan at ang pangkat naman ng Tanaga sa Calderon na ang taga pagturo ay si Maestro Carding Bulilit din. Dito rin sa panahon na ito nalikha ni Maestro Carding ang Paltok-Tanaga March at Cecilia-Catherine March na hanggang sa ngayon ay tinutugtog ng Banda 88 at maririnig sa ibang mga Banda ng karatig pook.

WATCH THIS VIDEO: Ang Banda 88 at ang "Dakilang Bayan", Santa Maria, Bulacan

Sumibol ang mga bagong henerasyon (NEW BEAT 88 "EL TIEMPO NUEVO") na mahuhusay na manunugtog na mga kasapi nito sa ngayon. Ginagawa ito tuwing bakasyon ("a summer music-program") at ang kaugaliang ito ay patuloy pa ring sinusundan ng bago pang mga tagapagturo.

Sa panahong din ito nakilala ang Banda 88 sa pag-tugtog ng "Lahing Kayumanggi", isang Symphonic Poem ni Lucio San Pedro. Di man pinalad ang Banda 88 na magwagi bunga ng dayaan sa National "Balik-Banda Contest" na ginanap sa Olongapo at Abucay noon.Ang paligsahang ito ay itinataguyod o sponsored ng San Miguel Corporation.

Di maitatanggi ang kanilang husay sa pagtugtog tuwing ipaparinig nila ang tugtuging ito. At isa ito sa kanilang pangunahing tugtugin o "signature repertoire" tuwing may Concierto o Serenata sa Pistahan o sa anumang kasiyahan at pagdiriwang.

Sa ngayon ang Banda 88 ay nasa pagkumpas (Resident Conductor) ni Maestro Arnel Jacinto, isa sa aking pinsan. Sinundan nya si Noli "Boyok" Antonio, na isa rin sa mga pinsan ko at mahusay na maestro at baritone player at trombonista.

Sa katunayan ang Banda 88 ang kampeon sa taunang Paligsahan ng mga Banda sa Muntinlupa,Rizal sa ngayon.Dalawang taong na nilang hawak ang pagiging kampeon sa patimpalak na ito.

Sa pamamagitan ng pagmumusiko ng mga kabataang taga Sta.Maria, ito ay nagiging tulong financial sa kanilang pagpapatuloy ng pag-aaral nila hanggang sa kolehiyo bilang scholar,tulad ko noong nasa UP (University of the Philippines) pa ako. Marami na rin sa amin ang nakapagtapos ng pag-aaral gamit ang pagsama at pagtugtog sa banda ng paaralan (School Band) na kanilang napili.

Ang ilan sa mga kasapi na nasa labas ng bansa na aktibo pa rin larangan ng pagtugtog ng musika ay si Raul "Boy" Capili (trumpet) na kasama sa Hongkong Disneyland Band at ang kanyang kapatid na si Edgar Capili (saxophone) na nakabase sa Singapore, si Vic "Pungay" Bongat (multi-instrumenalist & a session musician) na nasa Vancouver, Canada na kasapi ng grupong "Rumba Calzada" . Kami, ang Belarmino Brothers kasama ang aming pinsan na si Lodi de la Cruz (trumpet) na narito sa San Diego, CA USA.

Ang Banda 88 ay kabahagi ng isang tradisyon, kaugalian na humuhubog ng isang kultura at kasaysayan ng isang dakilang bayan at ng mga mabubuting mamayang taga Sta.Maria. Isang institution na di dapat bigyang walang halaga ng sinumang namumuno ng bayang ito.

Sa larangan ng pulitika, malaki ang naitutulong nila sa bawa't kandidatong gustong manalo sa halalan, maupo at makamit ang pangarap nilang kapangyarihan o sa tunay na pamumuno man.
Naniniwala ako na pangalawa sa edukasyon (after education) ang paghubog ng talento ng isang tao lalo na sa larangan ng Musika at anumang Sining upang maging matagumpay ang isang tao.

Sa mga bagong kasapi ng Banda 88, binabati ko ang inyong pagsisikap na maitaguyod ang ating banda at isipin na ang alagad ng Musika ay dapat ipagmalaki sapagka't tumutulong ito sa paghubog ng isang mabuting mamayan ng lipunang kanyang ginagalawan.

At sana sa mga sumunod pang mga panahon at saling-lahi narito pa rin ang pagmamahal sa ating unang Banda ng bayan, ang Banda 88...ang Musikong Luma ng Sta.Maria, Bulacan.--Maestro Memen Belarmino

Friday, November 09, 2007

Lahing Kayumanggi (A Symphonic Poem by Prof.Lucio San Pedro)
Performed by Concert Band 88 of Sta.Maria, Bulacan (Mandaluyong Band Contest)
Conducted by Maestro Arnel Jacinto




Ang mga tugtugin at musika ng Banda 88 ng Santa Maria sa www.youtube.com